| L#2 oil on canvas 1500 x 1000 Oct 2013 |
| "30" oil on canvas B5 x30 1400 x 2300 |
The work presented is a painting of two main colours
on canvas; it engages with the thematic ideas of color combination and energy. The colour choice is based on colour harmony,
contrast, constancy, and subconscious choice.
The
images are simple abstract paintings that represent the horizon of the ocean;
those two elements, the sky and the water are clear and transparent. But our
perception of the colours of them by the physical properties of light passing
through the atmosphere causing what’s known as the Rayleigh scattering. The atmosphere diffused
sunlight waves and changes the wavelengths of passing light to shorter
wavelengths, which form cold colours at noon, however the sunrise and sunset
conditions are different.
The sky and ocean are of endless scale, depth, and space and has strong
luminosity themselves. I feel the sky and ocean are like gigantic diamond in
which I am within; reflecting and defusing light. This feeling comes from
nature appreciation.
The colours I chose are clam/low contrast
and some of colors are energetic/ strong contrast (unusual combinations). The
strong luminosity colours are influenced by special nature sources, tropical birds,
flowers (even insects view ultraviolet light) lava, blood and fire.
I felt those colors attract attention more than any other colour range,
because that what we see in nature as something to avoid such as: fire, blood
and lava. Tropical birds and flowers have a special attraction to us because of
their unique colour combinations.
The luminous colours are interesting to experiment with and observe how society
reacts to different colour compositions.
The color composition and proportion are
carefully selected by color range properties. The words of the poem by Aoniyoshi “『あおによし』” (Aoniyoshi: “Turquoise and vermilion are great”)– from ancient Japanese poem in Nara city.
The city has the vermilion temple gates against the blue sky; the huge blue sky
and small amount of the unusual red color represents harmony between the
humanity and nature. The scale of the human race is small in relation to nature
(represented by red– the colour of life).
The juxtaposition of the vivid red (humanity) that activates the
cone in the eye (responding to high wavelength), and the oceanic blue that
activates the cones (that responds to shot wavelength) that range encompasses a
great deal of energy that transcends from high to low energy as the observes
eye scan the painting. The calmness of the ocean represented is set in what is
usually considered energetic and eye-catching red, shows that the two colours
next to each other give a calm feeling (opposed to red in itself). By contrast, the totality of the small
painting presented as one next to it shows the effect that a group of elements
(colour combinations) give as a whole rather than what they look like individually ( the whole is
other than the sum of the parts)– similar to what we experience when looking at
pixels (or pointillist paintings).
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